Go to this link to read articles witten by Don Ritter. Articles and reviews about the work of Don Ritter are listed below:
Gibson, Steve, Stefan Arisona, Donna Leishman, Atau Tanaka (2022) Live Visuals: History, Theory, Practice. London: Routledge. p. 308-309, 323-325, 327
Kraemer, Harald (2022) Future Memories. Barcelona: EdicionesTriton. p. 146-147.
Kraemer, Harald (2017) The Age of Experience. Barcelona: Triton. p. 127-131.
Aceti, Lanfranco (2016) "Black Sheep Talks: Interview with Don Ritter."
Museum of Contemporary Cuts, Boston, USA.
Carey, Brainard. (2016) “Don Ritter.” Interviews from Yale University Radio WYBCX, New Haven, USA.
Hadzantonis, Michael. (2015) “Unnecessary Signage.” video interview with Don Ritter,
Anthrologia, Issue 16, Centre for ASEAN Regionalism, Kuala Lumpur, Malaysia.
Collins, Karen, Bill Kapralos, and Holly Tessler (2014) The Oxford Handbook of Interactive Audio. Oxford: Oxford University Press. p. 266
Ikeshiro, Ryo (2012) “Audiovisual Harmony: The realtime audiovisualisation of a single data source in Construction in Zhuangzi.” Organized Sound, 17 (2). Cambridge: Cambridge University Press.
Lopes, Dominic (2010) A Philosophy of Computer Art. London: Routledge. p. 98
Pinchin, Karen. (2010) “Explosive Material.” Winter Olympics Cultural Olympiad, Vancouver, Canada.
Kluszczynski, Ryszard W. (2009) “Don
Ritter's Vested: Action and Responsibility."
Halle, Germany: Werkleitz Gesellschaft.
Pataczek, Anna (2009) "Von Schränken träumen" Der Tagesspiegel, Germany. Oct 19.
Bongartz, Ute (2009) "Werkstatt statt Latte: Medienkunst in Halle." Monopol Magazin, Oct. 25.
Probst, Carsten (2009) “Künstler für Künstler.” Deutschlandfunk, radio broadcast, Oct. 9.
Behnk, Judith (2009) “Move - New European Media Art.” ART: Das Kunstmagazin, Oct. 12, review of Vested.
Hillger, Andreas (2009) “Kunst sprengt das Museum.” Mitteldeutsche Zeitung, Germany. Oct. 12. review of Vested, p. 8.
Fukuda, Norio (2008)
“Interview With Don Ritter” Sweet Dreams, Issue #2, Summer
2008. Tokyo, Japan, p.102-103
Cseres, Jozef (2008) “Co
ze se to dnes deje se zvuky v prostoru?” His Voice, #2. Prague,
Czech Rep.
Debatty, Régine (2007) "o telephone" we-make-money-not-art.com.
Berlin, Germany
Sherwin, Brian (2007) "A rt
Space Talk: Don Ritter." Myartspace.com, New York City, USA.
Indyke, Dottie
(2006) “Dana
Schutz, Charles Long, Don Ritter.” ARTnews. March.
New York City, USA.
Cseres, Jozef (2006) Herme’s Ear. Nové Zámky:
Kassák Centre for Intermedia Creativity. Slovakia.
McQueen, Kari (2006) “Beyond the Screen” Favascope,
2005-2006. Canada.
Bouchard, Gilbert A. (2006) , “Do
you have what it takes to be a leader -- or a demagogue?” Edmonton
Journal, March 27. Canada.
Fischer, Zane (2005) “Siting Laps.” Santa Fe Reporter,
September 28. USA.
Indyke, Dottie (2005) "Surrounded
By Art; SITE Santa Fe Show Makes Work Personal for Viewers,"
Albuquerque Journal,
September 23. USA.
Weideman, Paul
(2005) “Insider Art.” Pasatiempo, September 23. Santa
Fe, USA
Cseres, Jozef (2005)
Zenei szimulákrunok, Budapest: Magyar Mühely Kiadaó,
Hungary.
Kroker, Arthur (2004) ” The Will to Technology and the Culture of Nihilism: Heidegger, Nietzsche & Marx.” Toronto: University of Toronto Press. p. 194-196.
Breddels, Lilet (2004) “Vox
Populi,” Archis,
#6. Amsterdam, Netherlands. p. 50
Bouchard, Gilbert A. (2004) "Playing
in virtual four-lane traffic a tad unnerving,"
Edmonton Journal,
June 27. Canada.
Cseres, Jozef (2004) "Human
Body? Which One?" Modern Art, no. 117. Taipei, Taiwan.
Cseres, Jozef (2004) "Don
Ritter: Sound-art and Interactivity"
Slovak Radio,
http://www.radioart.sk/hyspace/visuo.php?id=105
Cseres, Jozef (2004) “Non-interactive Art is Dead: interview with
Don Ritter.” Magyar Mühely. Hungary.
Cseres, Jozef (2003) “Interaltivnym umenim za novú senzibilitu.”
Dart: Revue of Contemporary Art, issue 10. Slovakia.
Adams, Randy (2003) “Interactive Futures: New Stories, New Visions.”
Trace on-line, March 18,
United Kingdom.
Neural.it (2003)
O Telephone, amplificazioni su apparecchi modificati, Italy
http://www.neural.it/nnews/otelephone.htm
December.
Cseres, Jozef (2002) Hudobné simulakrá (Musical Simulacra).
Bratislava: Music Centre Slovakia.
Wilson, Stephen (2001) Information Arts: Intersections of Art, Science,
and Technology. Cambridge: MIT Press. USA.
Rowe, Robert (2001) Machine Musicianship. discussion and movies
on CD-ROM. Cambridge: MIT Press. USA.
Mirapaul , Matthew (2001) “How Two Sites Plus Two Equals One Musical.”
The New York Times, Feb. 19. USA.
Crysler, Julie (2000) “Elephant Keyboard.” This Magazine,
vol. 33, #5. Toronto, Canada.
Cseres, Jozef (2000) "Neinteraktivne
umenie je mrtve/Non interactive art is dead" (Interview with
Don Ritter) Profil: Contemporary Art Magaizine, p. 52-55, volume
4; Bratislava, Slovakia
Serra, Catalina (1997) “Metronom inaugura su temporada con las <<intersecciones>>
acústicas de Don Ritter.” ABC-Cataluna, September
30, p.16. Barcelona, Spain.
“El artista Don Ritter inaugura una instalación sonora en
Metronom.” (1997)
in El Mundo-Cataluna, September 30. p. 4. Barcelona, Spain.
Serra , Catalina (1997) “Pesadilla en Fusina, 9” in El
Pais-Cataluna, October 10, p. 16. Barcelona, Spain.
Dean, Roger and Smith, Hazel (1997) “Improvisation Hypermedia and the Arts since 1945.” Sydney: Harwood Publishers. p. 272-273. Australia.
Crysler, Julie (1996) "The
Interactive Art of Don Ritter" in Klangkunst. München:
Prestel/Akademie der Künst. Germany.
Kunzru, Hari (1996)
"Two Tribes" in Wired, UK edition; photo of Stithy from
Ars Electronica 96, p. 31, Nov.
World Wide Video Festival (1996), "Don Ritter, Excity" The Hague,
Netherlands.
Interactive Video Artist Don Ritter Artist Profil (1996) Leonardo
Electronic Almanac, vol. 5, no. 5. USA.
Hudson, Sharon (1995) “Moma Will Be Proud.” Chug Magazine,
v.1/10. Chattanooga, USA.
L'aventure
Virtuelle (1995) exhibition catalogue for Images
du Futur '95, Montreal, Canada.
Johnson, Bruce (1994) "The
Interactive Systems of Don Ritter,"
press release for Sound Symposium, St. John's, Canada.
Sound Symposium 7 (1994) symposium catalogue,
St. John's, Newfoundland, Canada.
Farah, M .A. (1993) “Telematic Performance Loops Toronto and Quebec.”
Fuse Magazine, Toronto, Canada.
Farah, M .A. (1993) “Machines in the Garden: Interactive Video Art.”
Parallélogramme, Toronto, Canada.
European Media
Art Festival (1993) exhibition catalogue, Osnabruck, Germany.
Images du Futur '93 (1993) exhibition catalogue, Montreal, Canada.
Farah, M .A. (1992) “An Examination of the Untraditional Nature
of Ritter’s Fortex.” Volute, Montreal, Canada.
Rowe, Robert. (1992) "Don Ritter." Interactive Music Systems. Cambridge: MIT
Press. USA.
Newton, J. (1991) “Portrait of the Artist with a Difference.”
Computer Graphics World, Spring, p.3 and cover. Canada.
Leopoldseder, Hannes
Ed. (1991) Der Prix Arts Electronica Compendium, Linz, Austria.
Marre, Jeremy Director
(1990). On The Edge: Improvisation in Music, documentary film
on interactive video performance with George Lewis. Channel 4, London,
UK.
Jones, Andrew (1990)
"Horizontal Hold,"
Montreal Mirror, October 4, Canada,
Gann, Kyle (1990) “ Jail House Scholar.” The Village Voice,
March 27. New York, USA.
McGee, Micki (1989) “New Technologies: Perils and Pleasure.”
High Performance, Winter, Los Angeles, USA.
Vogt, Rainer (1988) “Die Kunst der Technik.” Stuttgart
Nachricht, July 18. Germany.
Otto Piene
und das CAVS (1988) retrospective catalogue,
Karlsruhe, Germany.
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