Go to this link to read published articles witten by Don Ritter


Copeland, Darren (2023) "O telephone" with Don Ritter - Making Waves - 20231014". NAISA interview, YouTube.com. 57:00 min.

Carey, Brainard. (2016) “Don Ritter.” Interviews from Yale University Radio WYBCX, New Haven, USA.
38:03 min.

Aceti, Lanfranco (2016) "Black Sheep Talks: Interview with Don Ritter."
Museum of Contemporary Cuts, Boston, USA. 3:11 min.

Ravasani, Donya (2010) "Terror als Kunst." Kulturzeit, 3sat TV broadcast, Berlin, Germany. 6:07 min.
download transcript: <English> <Deutsch>

TV news broadcast (1990) interview on performance with Don Ritter and George Lewis at A Space Gallery, Toronto, Canada. 3:05 min.


Gibson, Steve, Stefan Arisona, Donna Leishman, Atau Tanaka (2022) Live Visuals: History, Theory, Practice. London: Routledge. p. 308-309, 323-325, 327.

Kraemer, Harald (2022) Future Memories. Barcelona: EdicionesTriton. p. 146-147.

Kraemer, Harald (2017) The Age of Experience. Barcelona: Triton. p. 127-131.

Hadzantonis, Michael. (2015) “Unnecessary Signage.” video interview with Don Ritter,
Anthrologia, Issue 16, Centre for ASEAN Regionalism, Kuala Lumpur, Malaysia.

Collins, Karen, Bill Kapralos, and Holly Tessler (2014) The Oxford Handbook of Interactive Audio. Oxford: Oxford University Press. p. 266

Ikeshiro, Ryo (2012) “Audiovisual Harmony: The realtime audiovisualisation of a single data source in Construction in Zhuangzi.” Organized Sound, 17 (2). Cambridge: Cambridge University Press.

Lopes, Dominic (2010) A Philosophy of Computer Art. London: Routledge. p. 98

Pinchin, Karen. (2010) “Explosive Material.” Winter Olympics Cultural Olympiad, Vancouver, Canada.

Kluszczynski,  Ryszard W. (2009) “Don Ritter's Vested: Action and Responsibility.
Halle, Germany: Werkleitz Gesellschaft.

Pataczek, Anna (2009) "Von Schränken träumen" Der Tagesspiegel, Germany. Oct 19.

Bongartz, Ute (2009) "Werkstatt statt Latte: Medienkunst in Halle." Monopol Magazin,  Oct. 25.

Probst, Carsten (2009) “Künstler für Künstler.” Deutschlandfunk, radio broadcast, Oct. 9.

Behnk, Judith (2009) “Move - New European Media Art.” ART: Das Kunstmagazin, Oct. 12, review of Vested.

Hillger, Andreas (2009) “Kunst sprengt das Museum.” Mitteldeutsche Zeitung, Germany. Oct. 12. review of Vested, p. 8.

Fukuda, Norio (2008) “Interview With Don Ritter” Sweet Dreams, Issue #2, Summer 2008. Tokyo, Japan, p.102-103

Cseres, Jozef (2008) “Co ze se to dnes deje se zvuky v prostoru?” His Voice, #2. Prague, Czech Rep.

Debatty, Régine (2007) "o telephone" we-make-money-not-art.com. Berlin, Germany

Sherwin, Brian (2007) "A rt Space Talk: Don Ritter." Myartspace.com, New York City, USA.

Indyke, Dottie (2006) “Dana Schutz, Charles Long, Don Ritter.” ARTnews. March. New York City, USA.

Cseres, Jozef (2006) Herme’s Ear. Nové Zámky: Kassák Centre for Intermedia Creativity. Slovakia.

McQueen, Kari (2006) “Beyond the Screen” Favascope, 2005-2006. Canada.

Bouchard, Gilbert A. (2006) , “Do you have what it takes to be a leader -- or a demagogue?Edmonton Journal, March 27. Canada.

Fischer, Zane (2005) “Siting Laps.” Santa Fe Reporter, September 28. USA.

Indyke, Dottie (2005) "Surrounded By Art; SITE Santa Fe Show Makes Work Personal for Viewers,
" Albuquerque Journal, September 23. USA.

Weideman, Paul (2005) “Insider Art.” Pasatiempo, September 23. Santa Fe, USA

Cseres, Jozef (2005) Zenei szimulákrunok, Budapest: Magyar Mühely Kiadaó, Hungary.

Kroker, Arthur (2004) ” The Will to Technology and the Culture of Nihilism: Heidegger, Nietzsche & Marx.”  Toronto: University of Toronto Press. p. 194-196.

Breddels, Lilet (2004) Vox Populi,
Archis, #6. Amsterdam, Netherlands. p. 50

Bouchard, Gilbert A. (2004) "Playing in virtual four-lane traffic a tad unnerving,"
Edmonton Journal, June 27. Canada.

Cseres, Jozef (2004) "Human Body? Which One?" Modern Art, no. 117. Taipei, Taiwan.

Cseres, Jozef (2004)
"Don Ritter: Sound-art and Interactivity" Slovak Radio,

Cseres, Jozef (2004) “Non-interactive Art is Dead: interview with Don Ritter.” Magyar Mühely. Hungary.

Cseres, Jozef (2003) “Interaltivnym umenim za novú senzibilitu.” Dart: Revue of Contemporary Art, issue 10. Slovakia.

Adams, Randy (2003) “Interactive Futures: New Stories, New Visions.” Trace on-line, March 18,
United Kingdom.

Neural.it (2003) “ O Telephone, amplificazioni su apparecchi modificati,” Italy
http://www.neural.it/nnews/otelephone.htm December.

Cseres, Jozef (2002) Hudobné simulakrá (Musical Simulacra). Bratislava: Music Centre Slovakia.

Wilson, Stephen (2001) Information Arts: Intersections of Art, Science, and Technology. Cambridge: MIT Press. USA.

Rowe, Robert (2001) Machine Musicianship. discussion and movies on CD-ROM. Cambridge: MIT Press. USA.

Mirapaul , Matthew (2001) “How Two Sites Plus Two Equals One Musical.” The New York Times, Feb. 19. USA.

Crysler, Julie (2000) “Elephant Keyboard.” This Magazine, vol. 33, #5. Toronto, Canada.

Cseres, Jozef (2000) "Neinteraktivne umenie je mrtve/Non interactive art is dead" (Interview with Don Ritter) Profil: Contemporary Art Magaizine, p. 52-55, volume 4; Bratislava, Slovakia

Serra, Catalina (1997) “Metronom inaugura su temporada con las <<intersecciones>>
acústicas de Don Ritter.” ABC-Cataluna, September 30, p.16. Barcelona, Spain.

“El artista Don Ritter inaugura una instalación sonora en Metronom.” (1997)
in El Mundo-Cataluna, September 30. p. 4. Barcelona, Spain.

Serra , Catalina (1997) “Pesadilla en Fusina, 9” in El Pais-Cataluna, October 10, p. 16. Barcelona, Spain.

Dean, Roger and Smith, Hazel (1997) “Improvisation Hypermedia and the Arts since 1945.” Sydney: Harwood Publishers. p. 272-273. Australia.

Crysler, Julie (1996) "The Interactive Art of Don Ritter" in Klangkunst. München: Prestel/Akademie der Künst. Germany.

Kunzru, Hari (1996) "Two Tribes" in Wired, UK edition; photo of Stithy from Ars Electronica 96, p. 31, Nov.

World Wide Video Festival (1996), "Don Ritter, Excity" The Hague, Netherlands.

Interactive Video Artist Don Ritter Artist Profil (1996) Leonardo Electronic Almanac, vol. 5, no. 5. USA.

Hudson, Sharon (1995) “Moma Will Be Proud.” Chug Magazine, v.1/10. Chattanooga, USA.

 L'aventure Virtuelle (1995) exhibition catalogue for Images du Futur '95, Montreal, Canada.

Johnson, Bruce (1994) "The Interactive Systems of Don Ritter,"
press release for Sound Symposium, St. John's, Canada.

Sound Symposium 7 (1994) symposium catalogue, St. John's, Newfoundland, Canada.

Farah, M .A. (1993) “Telematic Performance Loops Toronto and Quebec.” Fuse Magazine, Toronto, Canada.

Farah, M .A. (1993) “Machines in the Garden: Interactive Video Art.” Parallélogramme, Toronto, Canada.

European Media Art Festival (1993) exhibition catalogue, Osnabruck, Germany.

Images du Futur '93 (1993) exhibition catalogue, Montreal, Canada.

Farah, M .A. (1992) “An Examination of the Untraditional Nature of Ritter’s Fortex.” Volute, Montreal, Canada.

Rowe, Robert. (1992) "Don Ritter." Interactive Music Systems. Cambridge: MIT Press. USA.

Newton, J. (1991) “Portrait of the Artist with a Difference.” Computer Graphics World, Spring, p.3 and cover. Canada.

Leopoldseder, Hannes Ed. (1991) Der Prix Arts Electronica Compendium, Linz, Austria.

Marre, Jeremy Director (1990). On The Edge: Improvisation in Music, documentary film on interactive video performance with George Lewis. Channel 4, London, UK.

Jones, Andrew (1990) "Horizontal Hold," Montreal Mirror, October 4, Canada,

Gann, Kyle (1990) “ Jail House Scholar.” The Village Voice, March 27. New York, USA.

McGee, Micki (1989) “New Technologies: Perils and Pleasure.” High Performance, Winter, Los Angeles, USA.

Vogt, Rainer (1988) “Die Kunst der Technik.” Stuttgart Nachricht, July 18. Germany.

Otto Piene und das CAVS (1988) retrospective catalogue, Karlsruhe, Germany.